Happy Halloween!

[2006.11.01 18:00 EST: Linked to The Farm.]
[2006.11.01 16:00 EST: Described t-shirt text.]
[2006.10.31 23:00 EST: Updated with photos from the rest of the evening. Mwa-ha-ha-ha!]

It was a great day. I walked to the subway through the cemetery at Trinity Church. There was a magnificent sunset. Over 330 trick-or-treaters. All candy gone. We went out to dinner at The Farm at on Adderley on Cortelyou Road, where most of the staff and many guests, including me, were in costume.

DSC_3174Over 33 pounds and 1,695 pieces of candy: $50 (estimated)

Wigs, makeup, ghoul teeth: $60 (approximate)


Seeing small children freeze in shock and hearing their shrieks of gleeful terror as they look up at your hideous face:

PRICELESS
DSC_3197The t-shirt has a drawing of a leering devil on it. The text reads: God’s busy. Can I help you?


DSC_3158DSC_3171DSC_3155DSC_3176
DSC_3166DSC_3163DSC_3192DSC_3169DSC_3183

Gardening Matters: The death of Takeo Shiota (Grief & Gardening #4)

[Updated 2007.02.23: Added link to the issue of Plants & Gardens News (PDF, requires membership login) which mentioned Shiota’s death in the U.S. internment camps.]

A video sparked a connection for me among three seemingly unrelated topics: a Japanese Garden built over 90 years ago, World War II, and the Department of Homeland Security.

DSC_0013This is a view from the Japanese Hill-and-Pond Garden at the Brooklyn Botanic Garden. I took this photo last year, November 5, 2005. BBG has this to say about this garden on their Web site:

It is considered to be the masterpiece of its creator, Japanese landscape designer Takeo Shiota (1881-1943). Shiota was born in a small village about 40 miles from Tokyo, and in his youth spent years traversing Japan on foot to explore the natural landscape. In 1907 he came to America, driven by an ambition to create, in his words, “a garden more beautiful than all others in the world.”
Japanese Hill-and-Pond Garden, Brooklyn Botanic Garden

Note the year of Shiota’s death, 1943. I learned recently, from a review of the book Defiant Gardens in the Fall 2006/Winter 2007 issue of BBG’s Plants & Gardens News (PDF, requires membership login), that Shiota died in a United States internment camp for Japanese-Americans during World War II.

It has happened here before. It can happen again. And our government has plans to do so.


The Pearl Harbor attack intensified hostility towards Japanese Americans. As wartime hysteria mounted, President Roosevelt signed Executive Order 9066 causing over 120,000 West Coast persons of Japanese ancestry (Nikkei) to leave their homes, jobs, and lives behind to move to one of ten Relocation Camps.

This constituted the single largest forced relocation in U.S. history.
Minidoka Internment National Monument

The largest, so far. I am painfully aware of the parallels between Pearl Harbor and September 11. As bad as the hysteria has been, it can get worse.

On January 24 of this year, the Department of Homeland Security awarded Halliburton subsidiary Kellogg, Brown & Root (KBR) a $385M contract [my emphasis added]:

The contract, which is effective immediately, provides for establishing temporary detention and processing capabilities to augment existing ICE [U.S. Immigration and Customs Enforcement] Detention and Removal Operations (DRO) Program facilities in the event of an emergency influx of immigrants into the U.S., or to support the rapid development of new programs. The contingency support contract provides for planning and, if required, initiation of specific engineering, construction and logistics support tasks to establish, operate and maintain one or more expansion facilities.

The contract may also provide migrant detention support to other U.S. Government organizations in the event of an immigration emergency, as well as the development of a plan to react to a national emergency, such as a natural disaster.
Halliburton Press Release: KBR AWARDED U.S. DEPARTMENT OF HOMELAND SECURITY CONTINGENCY SUPPORT PROJECT FOR EMERGENCY SUPPORT SERVICES

This has been widely reported in the press, including the New York Times. Peter Dale Scott wrote an extensive analysis for Pacific News Service.

I can add little, except to relate these current historical events to the atrocity committed against a single person over 60 years ago, and share my feelings about all of this. Takeo Shiota was responsible for one of the most beautiful gardens in the world, one which I and millions of others have enjoyed, and will continue to enjoy. I will never again be able to visit that garden without wondering about him and his life, and thinking of how my government killed him. It is the least I can do.


Video: Crosby & Nash, “Immigration Man”

I haven’t thought of this song in many years, decades maybe. It was always one of my favorites, hauntingly beautiful vocals and chord progressions.

I don’t know who’s responsible for assembling the images into the video, but it’s an effective piece of work. This is what reminded me of the Halliburton contract, and led me to post this.


Additional Links:

Fall Color in Beverley Square West

“You know, for a gardening blog, there’s not much about gardening …” – What I imagine you all must be thinking by now.

I’ve got lots of stuff, honestly. I’m just really back-logged with everything I want to write about. Just not enough hours in the day, especially workdays!
Street tree on Rugby RoadHolding leaves on Rugby Road

But here’s a little something: some photos of the developing fall color in my neighborhood, Beverly Square West, one of the neighborhoods of the larger area known as Victorian Flatbush. Yes, this is Brooklyn.

DSC_2911DSC_2912Looking south down Westminster RoadTrees in yard of house on Westminster RoadDogwood in front yard of house on Stratford RoadTrees in yard of House of Westminster Road
Street tree on Westminster RoadHouse on Rugby Road

Related Content

Flickr photo set

Squash and Pear Soup

DSC_2695

The finished product.

This afternoon I made squash and pear soup for three. There are several things I like about this recipe. You make it a couple of hours before dinner, or even the day before, then heat it just before serving. It can be made for small groups, as I did today, or large parties of 20 or more. It’s always a crowd pleaser. The combination of flavors and textures – savory, dense and smooth from the squash, sweet, light and slightly grainy from the pears – is surprising and pleasing. It’s a forgiving recipe: the exact proportions are not as important as the basic ingredients and their preparation. The three main ingredients – winter squash, pears, and onions – are all available locally at this time of year from farmer’s markets such as NYC’s Greenmarkets. It can be made completely vegan, without even any dairy, if you wish. And all the skins from the squash, pears and onions can go in the compost!

The original recipe came from Anna ThomasThe New Vegetarian Epicure. I’ve simplified the recipe over the years; the original recipe called for both squash and yams, and three different liquids: vegetable broth, milk and wine. I’ve made it many times before, so today I didn’t bother following a recipe. Figure roughly 2 parts (by gross purchase weight) squash, 1 part or more of pear, and 1 part or less of onion. Use proportionally more pear for a sweeter soup, more onion for a savory soup. As you can see from the photo above, it gives you a thick, creamy soup, so it needs some added liquid. You can also influence and shift the taste and texture by your choice of liquid. Today, I used just enough milk to blend things easily, but you could use soup stock or fruit juice instead.

Equipment:

  • Covered baking pan or dish
  • Sauce or saute pan
  • Blender or food processor
  • Vegetable peeler
  • Chef’s knife for slicing and chopping
DSC_2673

Main Ingredients:

  • Hard Winter Squash. Butternut is easiest to prepare. I’ve also used Acorn squash, it’s just more time-consuming to remove the rind.
  • Pears, eg: Bosc. They don’t have to be completely ripe. Baking apples could also be used instead of pears.
  • White onions. Vidalia onions are really nice in this soup, but are not necessary for success.
  • Liquid for thinning the soup. Use chicken or vegetable stock for a more savory soup, apple cider for a sweeter soup, or milk.

Seasonings:

  • Fine-ground spices, especially allspice, cloves, cinnamon, nutmeg, or ginger. I’ve over-done this in the past; it doesn’t take much, especially if the spices are freshly ground. You just want to bring out the other flavors, not overpower them. Today I used a commercial mulling spice blend which has all of these plus orange rind.
  • Fresh-ground pepper.
  • Vanilla extract (optional). I used just a little of this today, and it worked really well. It just mellowed and smoothed out the spices, but was not noticeable on its own.

Other:

  • Olive oil, for sauteing onions and pears

Preparing the squash
DSC_2677DSC_2681DSC_2682DSC_2684DSC_2694

  1. Wash the outside of the squash thoroughly.
  2. Halve the squash.
  3. Remove all seeds and as much of the stringy pith surrounding them as you can. It doesn’t have to be perfect, since it’s all going to be pureed later anyway.
  4. Place the squash halves face down in the baking dish. If the dish is too small, cut the squash into the largest possible pieces which will fit in the dish. The larger the pieces, the easier it will be to peel them later.
  5. Cover the dish and bake until all the squash is completely soft and the skin pulls away easily. I baked mine today in a microwave oven at full power for a total of 30 minutes.
  6. Remove the dish, uncover it, and allow the squash to cool completely to room temperature. This will take at least one hour, possible two.
  7. Peel the squash, separating the flesh from the rind. Add the flesh directly to the blender or food processor. You can also add any liquid which collected in the baking dish.

Preparing the onions and pears
DSC_2689DSC_2692
You can do this while the squash is baking.

  1. Peel, slice and dice the onions to a coarse chop.
  2. Begin sauteing the onions in some olive oil over medium heat. You want to get the onions to translucence, but not burn them.
  3. Peel the pears.
  4. Slice the pears (I find it convenient to slice them into quarters). Remove the seeds, core and any “woody” bits at the blossom or stem ends (see photo).
  5. Cut the pear segments to a coarse chop (see photo).
  6. Add the pear pieces to the onions.
  7. Continue sauteing the onions and pears until the onions are translucent and the pears pieces are soft enough to mash with a wooden spoon.
  8. If the onions or pears start to brown, turn down the heat, add a little bit of liquid such as water or fruit juice, and cover the pan. Continue baking them on the stove this way until the pears are soft.
  9. When the onions are translucent and the pears are soft, add them directly to the blender or food processor.

Finishing the soup

  1. If you haven’t already, add the peeled squash, squash juices, onions and pears to the blender or food processor.
  2. Beginning on the slowest speed, begin chopping and blending these ingredients.
  3. Add just enough liquid to allow things to chop and blend easily.
  4. Gradually increase the speed, adding liquid as needed, until you can puree all the ingredients smoothly together.
  5. Add the seasonings to taste. Add less than you think you need, blend thoroughly after each addition, and taste.
  6. Once the seasonings are adjusted, add more liquid if you want a thinner soup. Again, blend thoroughly after each addition until you get the texture you want, and taste after each blending. As you can see from the top photo, I kept my soup pretty thick today.
  7. Refrigerate the soup if it’s not going to be served immediately.
  8. Heat the soup just before serving. Serve plain, or garnish with some extra chopped pear, or maybe a nasturtium.

That’s it! Enjoy, and let me know how it turns out.

Happy Equinox

Locations of day and night on the earth at approximately 13:20 EDT, 17:20 UTCLocations of day and night on the earth at approximately 13:20 EDT, 17:20 UTC, less than nine hours before the 2006 autumnal equinox.
Credit: Official US Time, NIST and USNO.

The Autumnal Equinox (is it the Vernal Equinox for those of you in the southern hemisphere?) occurs at 4:03 on September 22, 2006.

But … the equinox occurs when the sun “crosses” the equator (for you geocentrists), or the equator passes “beneath” the sun (for you heliocentrists), or something. It’s the same moment in time for everyone on the planet, even if the sun’s not visible to them. It can’t be “4:03” for everyone.

So what time is 4:03 anyway? Times of equinoxes are given in Universal Time, abbreviated as UT or UTC (more politically correct than Greenwich Mean Time, and close enough for most of us). To know when the equinox occurs for you, you need to convert from UTC to your local time.

I’m still on Eastern Daylight Savings Time, or EDT, which is four hours behind UTC. So the equinox occurs for me just after midnight tonight, the time I’ve given this post. When we “fall back” the clocks, I’ll be back on Eastern Standard Time, EDT, which is five hours behind UTC.

Links

U.S. Naval Observatory: Earth’s Seasons and Time Service Department
Wikipedia: Equinox

Letter to the NY Times, Science section

[Updated 2006.09.14 20:41 EDT: Added Why I Wrote the Letter. Minor corrections.]

I wrote a letter last Wednesday to the New York Times in response to an interview with ornithologist Joseph M. Forshaw, a world expert on parrots, in last week’s Science section, “A Passion for Parrots and the Fight to Save Them in the Wild”. They published an edited version of it (under my “real” name”) today. Here it is in its entirety:

Monk parrots are now established in 14 states and spreading north in New York. In their native ranges, they are sometimes serious agricultural pests of fruit crops. We will see what economic damage they cause here as their numbers expand. We don’t know how much environmental damage they’ve already caused by competing with and displacing native species.

As the ornithologist Joseph M. Forshaw noted admiringly, “Parrots are such wonderful generalists.” This is a common trait of invasive species, including other generalists that New Yorkers are all too familiar with: starlings, pigeons, rats and roaches. Our admiration of these birds should not blind us to their potential impact.

I’m proud and excited about this. This is only the second time in my life I’ve had a letter published in a newspaper. (The first was a letter I wrote to Newsday when I was 16 years old in opposition to the Shoreham nuclear power plant on Long Island. I wrote a letter to NPR several weeks ago. They were interested in it, but I don’t know if that ever aired.)

I’ll be coming back and updating this entry with the back-story about why I wrote the letter, and what I learned about writing letters!


Why I Wrote the Letter

The article, published in last Tuesday’s New York Times, was an interview with ornithologist Joseph M. Forshaw. Forshaw spoke about his experiences with parrots and humans’ relationships with them all over the world, and the dangers they face from exploitation and habitat destruction.

The photos accompanying the article showed Monk Parrots from Brooklyn’s Greenwood Cemetery. I already knew why those photos were there. Forshaw had accompanied Steve Baldwin on one of his “Parrot Safaris”, and Baldwin had blogged about it on his blog site, Brooklyn Parrots:

I recently had the pleasure of meeting an amazing Australian naturalist … His name is Dr. Joseph Forshaw and he’s widely regarded as the world’s foremost authority on parrots. I had the honor of serving as his “guide” when he came to see the wild parrots of Brooklyn. … The New York Times wrote up a nice story on Dr. Forshaw … I am glad to say that there are some great shots of the “Brooklyn Boids!”

The problem was, the photos accompanying the article in this way associated an introduced species with the important issue of conserving parrots in the wild in their native habitats. The Times identified the parrots as “feral monk parrots.” A caption to one of the photos identified them as “nonnative New Yorkers,” but provided no further explanation.

Feral” is incorrect to describe these populations. Neither the species nor the individuals are domestic parrots “escaped” into the wild: they are breeding and reproducing in the wild. So I wrote the letter hoping to address, and correct, a misleading absence of information about their status here.


[goo.gl]

Related posts

My other posts on Parrots and Invasive species.

Links

The letter as published

Grief & Gardening #2: Five Years After, “Ths Transetorey Life”

There are three sections to this post:

  1. Trinity
  2. Ground Zero
  3. St. Paul’s

Trinity

This is a flower border at one of my favorite gardens to visit. Earlier in the year, there has been a succession of Iris, Hemerocallis (Daylilies), Hosta, and other common and sturdy garden perennials. There are ferns, and flowering cherry trees on the grounds.
Flower Border
The garden is the cemetery at Trinity Church in downtown Manhattan, just down the block from Ground Zero. The photo above is looking south, toward the church itself. Here’s another view looking east, toward Broadway, which is just on the other side of the wrought iron fence surrounding the cemetery.

Flowers, Trinity Church Cemetery
This really is one of my favorite gardens to visit. First off, I love cemeteries. During my troubled adolescence, a cemetery at the end of our street was a refuge for me, a place I could go where no one would bother me, a place of solitude, and quiet. I came to enjoy the history of it, reading the stones to learn about people’s lives, how young they died, how many of them were children, and infants.

This garden cemetery also reminds me of impermanence. When I walk through it, I’m on my way to work, in the financial district of downtown Manhattan. It’s easy to get stressed about work. This walk helps me keep a healthier perspective on things. Check out the engraving on this headstone.

Headstone, Trinity Church Cemetery
“Here Lyes ye Body of John Craig Who Departed ths Transetorey Life September ye 14 1747 Aged 47 years” At 47 years, he was an old man when he died. He could have easily been a grandfather. And yet, “ths Transetorey Life” … Next week is the 259th anniversary of his death. How many lifetimes, how many generations, is 259 years?

Another thing I enjoy about visiting this garden cemetery is the ritual I’ve developed for entering it. There’s really only one way: from the Rector Street station on the R/W subway line. This lets me out on Church Street. After emerging from the subway, the streetscape is the photo below.
Church Street, looking North toward Ground Zero
This is Church Street, looking north. Ground Zero (of which more below) is just one block away, where the buildings end on the left-hand side. On the right-hand side is a massive, and seemingly ancient, sandstone block wall. See the trees peeking out over the top of it? Those are from the garden cemetery. Here’s a view of the church from this vantage.
Trinity Church
That’s right: the cemetery is two stories above your head. Behind those stone blocks are the dead. To reach the cemetery, we have to climb still further, through the street-level opening in the wall, of which we only see the top of its gothic arch in the photo above, and up another two flights of stairs. Lest one forget, the sculpture set in the stone above the passageway is no cherub.
Grieving Angel

Ground Zero

I wrote earlier this week about the arbitrariness of anniversaries. But I have been feeling this one, the 5th anniversary of 9/11. The city is feeling it, too. Peoples’ grief is closer to the surface, more accessible. Mine certainly is. I’ve also been remembering a lot of what it was like in the city right after. There are reminders of it everywhere, on the news, in the papers, special exhibits and events, and especially, at Ground Zero.

A Tribute Center was dedicated this week on Liberty Street, on the south side of Ground Zero. I’d heard about it and I went there after work on Thursday. The doors had signs on them which said “Closed.” There was a couple next to me also looking at the signs. Someone inside saw them and opened the door for them. I thought they were just closing for the day, and let us in anyway. I tailgated in. I didn’t realize that it’s not open to the public until September 18.

Anyway, it’s quite a collection. They have artifacts. It took me a while to figure out what this object was. When I did, it just shocked me. I didn’t have my camera with me, just my camera-phone/phonecam. It’s a lousy picture, and I’ll go back and get a better one.

Another thing which shook me was some photographs in one of the display cases. There was a contact print of a couple of frames from a still camera, with some clear problems with light leakage along the top of the frame. The text explained that these photographs were taken by a photographer on the scene. His camera was damaged, and he was killed, when the first tower fell. His camera and film were recovered, and those prints were made.

Outside the PATH (Light rail/Subway to New Jersey) station, on the fence surrounding the site, is an exhibit of photographs from September 11 and the recovery efforts. The photographs are incredible, from all different photographers.
DSC_1696

The names of the photographers and explanations of each scene are displayed alongside the photos. I didn’t make notes of their names. I’m hoping I can find a catalog of them online somewhere. Here’s one of the photographs.

St. Paul’s

St. Paul's Enshrouded
This shows the tower of St. Paul’s Church about to be engulfed by the debris cloud from the collapse of the first tower. I’m pretty sure this was taken from an office building to the east, looking west toward the church and the World Trade Center site. St. Paul’s is directly across the street from the PATH station, and just a couple of blocks up the street from Trinity Church.
St. Paul's Church, viewed from the PATH Station
St. Paul’s sustained heavy damage, but it survived, and it served as one of the centers for recovery efforts downtown. Its fence was covered with memorials for months. Right now it’s housing the Threads Project, which collected threads, ribbons, and so on from all over the world and distributed it to weavers all over the world to create the works you see below.

St. Paul's Church, Interior, South Wall
St. Paul's Church, Interior, North Wall

One of the losses at St. Paul’s was a large Sycamore from the cemetery. If the tree had not been there, the church would have sustained even greater damage from debris which felled the tree instead. The tree has been captured as a symbol of the day, by casting its root system as a sculpture in bronze. This sculpture is permanently placed in a courtyard outside Trinity Church. The sculpture is called “Trinity Root.”
Trinity Root

And so we’ve come full circle. From Trinity, to Ground Zero, to St. Paul’s, and back again. We grieve the loss of a great tree, whose death saved others’ lives, and celebrate it. We grieve the garden, and grieve through the garden. It’s the weekend before five years after. I will be mowing the lawn, weeding, maybe sifting some compost, and preparing the garden to receive the bulbs which should arrive in a few weeks. I will do all these ordinary things. And when I return to work on Monday, I will look up, and turn my face to the hole in the sky, and remember again.

Related content

Flickr photo set
Grief & Gardening series

Free Admission to Brooklyn Botanic Garden, September 11, 2006

Brooklyn Botanic Garden, Cherry Esplanade, 9/11 commemorative plaque

9/11 memorial plaque at the southeast corner of the Cherry Esplanade at the Brooklyn Botanic Garden.
Photo taken: July 8, 2006

In observation of the fifth anniversary of 9/11, the Brooklyn Botanic Garden will be open this coming Monday, September 11, 2006. The Garden is normally closed on Mondays. All admission fees will be waived. Hours are 10am to 6pm.

If I didn’t have to work this Monday, that’s where I would be.

Grief & Gardening #1: 1, 5 and 25

[Updated 2006.09.09 02:45 EDT: Retitled; new URL. Cosmetic changes. Added link to Grief & Gardening #2.]
[Updated 2006.09.07 13:59 EDT: Updated Links section.]
[Updated 2006.09.06 17:17 EDT: Comments added.]

This may be a little long. It will come round to gardening. There’s a connection. I promise.

A couple of anniversaries have been on my mind:

1 year ago last Tuesday: Katrina strikes Louisiana, Mississippi and Alabama.
5 years ago next Monday: Terrorists strike the United States.
25 years this past June: AIDS “strikes” with the first CDC report of a cluster of pneumonia cases among gay men in Los Angeles.

Each of these has been in the news recently. Each has reminded me of my own experience of these, my own shock, grief, and trauma.

The ways we observe anniversaries is arbitrary. For example, I was shocked to tears for weeks by the Indian Ocean Tsunami of 2004, which killed 100 times more people than Katrina. The earthquake which precipitated it left the entire planet ringing like a bell. The observation of “25 Years of AIDS” at this year’s World AIDS Congress is pinned only to the first official report of a cluster of unusual deaths by the Centers for Disease Control in June of 1981. The timelines of epidemics don’t follow our categorizations of them.

Katrina

NOAA radar loop of Katrina


The night before Katrina made landfall, I was tracking its development and watching its progress through the radar loops on NOAA’s National Hurricane Center. I remember in particular the clearly visible eye. I knew this was bad, as this was an indication of the strength and organization of the storm. The morning after, I learned how bad it had been. The height of the storm surge, which hit Mississippi the worst, especially surprised me. The “secondary” impact following rupture of the levees in New Orleans underscored for me a truth I’ve learned from Zen: Pain is inevitable. People cause suffering.

9/11
HouseFallen

I work in downtown Manhattan, just two blocks from Ground Zero. The week of September 10, 2001, my partner and I were vacationing in upstate New York. The morning of 9/11, we learned the towers had been struck from another hiker on the trail. The first tower had not yet collapsed. I wrote the following on September 14, 2001:

Monday we drove to Mohonk Mountain House, a grand and rustic retreat in the Shawangunk Mountains outside of New Paltz. None of the rooms have televisions. Our room had a wood-burning fireplace. Our balcony looked over Mohonk Lake to the surrounding cliffs and mountains. Mostly I said “Wow” a lot.


Across the lake from the lodge a peak, called Sky Top, rises several hundred feet [not quite, maybe 150 feet] above the lake. On Sky Top is a stone observation tower which looks over the lake, the lodge, and the surrounding cliffs and mountains. Tuesday morning [we] hiked to the peak and climbed to the top of the tower. On the way to the trailhead I overheard one woman saying to another something about a plane being hijacked. I didn’t think anything about it at the time. [We] were joyful to be together in such a beautiful setting. We were at peace with each other, and surrounded by nature.


As we climbed down the stairs inside the tower I was singing, “I love to go a-wandering …” As we turned the third flight of stairs down, we met an old man climbing up. I joked to him “Don’t mind me.” He looked up at us. His eyes were welled with tears. He said to us “Did you hear what happened?” That’s how [we] first learned that both towers of the World Trade Center had been struck by hijacked planes.


By the time we got back to the lodge, the staff had setup several televisions in public rooms. None of these went unattended before we left on Wednesday. Most of the afternoon and evening activities at Mohonk were cancelled. The evening’s scheduled film, “Deep Impact,” in which the world is struck by an asteroid, destroying the eastern seaboard cities of the United States, was replaced by “City Slickers.” By sundown, the flag flying over Mohonk Mountain House’s highest tower was at half-mast.


Sometime Tuesday morning the initial denial had broken and I was able to watch one of the large-screen videos setup in one of the rooms. I watched for the first of many times the South Tower explode and crumble.

Like most of the world, my initial experience of the events of that day was remote. However, I also worried about my colleagues downtown. I learned they were all okay, that none had been physically harmed, and our workplace was unscathed, though everything was closed down for the first week, and gradually resumed normal operations over the following weeks. I wrote the following on October 15, 2001:

I work two blocks from where the towers were. I’ve seen it from the street, from the roof of my office building, from our lunch room … I try to approach my presence in the city at this time as a naturalist, observing and recording changes in the physical environment and the behavior of its inhabitants. I want to remain present without withdrawing, so I can bear witness.The fires still burn. [They burned for months, into the winter.] Smoke still scents the surrounding streets and buildings. While rain has rinsed most of the gutters, ash still coats statues, windows and rooftops. In low and sheltered areas, the rain and ash mixed with shredded documents from the towers to create a gray papier mache. The “Missing Person” posters – and only those closest to them held any hope they would be “found” – and sidewalk memorials of candles and the poetry of anguish, rage, and hope, are slowly eroding.


Ground Zero, September 27, 2001
9/11 memorials, Union Square Park, September 24, 2001
Missing Person Poster/Memorial, St. Vincent's Hospital, West Village, NYC

AIDS

Preceding all these singular events of recent history is the AIDS epidemic. I moved to New York City in the winter of 1979, and shortly thereafter settled in the East Village. This was an epicenter of what was first called “gay cancer,” then GRID, Gay-Related Immunodeficiency Disease, and, finally, AIDS, Acquired Immune Deficiency Syndrome.

Years ago, I gave up trying to keep track of how many people I’ve lost to AIDS. Lovers, boyfriends, friends, neighbors, acquaintances, shopkeepers, bar buddies … Where do you draw the line? I estimate that half of everyone I ever knew from that time of my life has died, but I will never know, and there is no way to know. A community, a way of life, was destroyed. I took solace in reading about the Black Death in Europe in the 14th Century, during which 30-50% of whole towns died. The devastation was so great and sudden that it led to the collapse of the feudal system: there simply were not enough people to work the land. That level of disruption was something I could relate to; I was living it.

This is a poem I wrote in July of 1993 on learning of the death of one of these friends, David Kirschenbaum, whom I knew from the New York City Gay & Lesbian Anti-Violence Project:

what would it mean
even to say goodbye
my words do not grant
another breath


searching for the grief
that must be felt
as I recall other men
other names


if I could let go
lose control
permit my tears
what would it change


it ends, it is final
no room for regrets
no hopes for another chance
it is over


helpless, in the face of death
living is the best revenge

Gardening

How does all this connect me to my garden, to gardening? The following also comes from my journal entry of October 15, 2001. I don’t think I could say it better today:

As I tend my garden, I recall how it was a minute, a day, a year ago. That flower was, or was not, blooming yesterday. This plant has grown over the years and now crowds its neighbors. A label in the ground shows where another plant has vanished. Should I replace it, or try something new? I weed. I plant. I water. I sit. The garden asks me to see it as it really is, not just how I remember it, or how I wish it to be. Gardening continues to teach me many lessons. Gardening is my prayer.

So I must be in the world. Remembering what was. Observing what is. Hoping for what can be. Acting to bring it into being. When we struggle to understand, we question what is. Science can ask, and eventually answer, “What?” and “How?” It cannot answer the one question that matters, the question for which Man created God: “Why?” Now, as with each new loss, I ask again: Why am I here? Why am I alive?

The only answer I’ve come across which satisfies me at all comes from Zen: The purpose of life is to relieve suffering. Not to relieve pain, or grief, or loss. These cannot be avoided. But to relieve suffering, which we ourselves bring into the world. Because death is senseless, the only sense to be found is that which we manifest in our own lives. The only meaning there can be in life is what we impart.

Related Contents

Grief & Gardening #2
My journal of September 11, 2001

My photos from September 11, 2001 (flickr set)

Links

Katrina

Wikipedia article on Katrina
NOAA Katrina archive

September 11

Librarians’ Internet Index compilation of 9/11 Web Sites

AIDS

An excellent “biography” (timeline) of AIDS in New York by New York magazine

Marie’s Garden, Saratoga, NY, August 26, 2006

[Updated 2006.08.29, 07:20 EDT: Added descriptions to remaining images. Added link to Bug Guide.]

Some beauty shots for my photo fans. All photos were taken this past Saturday, August 26 in Marie’s garden in Saratoga in upstate New York. The link on this post will take you to the flickr photo set of these pictures.

The following four images of insects are all cropped down from the original full frame to zoom in on the detail. I browsed and searched the photos on Bug Guide to identify the beetles.

Stiretrus anchorago, Anchor Stink Bug, on Goldenrod, Front ViewStiretrus anchorago, Anchor Stink Bug, on Goldenrod, Rear View

Stiretrus anchorago, Anchor Stink Bug, on Goldenrod, front and rear views. This guy was moving rapidly over the stalks, dipping his proboscis into each individual flower. I presume he/she/it was feeding on nectar from the flowers.

Megacyllene robiniae, Locust Borer, on Goldenrod

Megacyllene robiniae, Locust Borer, on Goldenrod. I apologize for this one being out of focus. This guy was also moving very quickly around on the goldenrod. This was the best shot I got.

Death in the Garden

Death in the garden. Taking a cue from Bev’s Phymata post, this stationary fly caught my eye. Not to mention that none of his/her/its feet were actually resting on the plant. This was a difficult depth-of-field situation. Again, I took several different shots with the focus on different plane in the image. This one gave me the best results overall, though parts are still clearly out of focus.

The rest of these images are presented full frame and unedited.

Phlox

Phlox.

Bark of Silver Maple

Silver maple bark with lichens.

Lichen on Rock

Lichen on a rock.

Black Walnut Foliage

Black walnut leaflets. Only these leaflets at the end of the leaf had turned red. The rest of the tree was still green.